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Michael Harding Balsam Resin Glaze Medium
Starting at: £26.70
Historic paint medium, based on Austrian larch turpentine (also called Venice Turpentine) combined with dammar resin and linseed stand oil. Larch or Venice turpentine adds a wonderful gloss, almost enamel-like, to oil paints. This Balsam resin glaze medium can be added to your oil colours to enhance the depth, gloss and lustre of your paints. It smells wonderful! Dammar Resin, Austrian Larch Turpentine, Linseed Stand oil, Double rectified turpentine Recommendation: Add 5-10% to your neat oil colour as required Learn More -
Michael Harding Oleo Resin Glaze Medium
Starting at: £23.80
Oleo Resin Medium is a historic glaze medium based on light coloured Canada balsam fused with dammar resin and linseed stand oil. This versatile medium provides high gloss levels while imparting depth to paint films. This is a light sensitive product so store in a cool dark place Canada Balsam, one of the ingredients in this oil painting medium, a turpentine made from the resin of the Balsam fir tree used in oil painting to achieve a glow and encourage fusion. Dammar resin, Canada Balsam, Linseed stand oil and Double rectified turpentine Recommendation: Add 5-10% to neat oil colour as required Learn More -
Michael Harding Resin Oil Wax Medium
Starting at: £10.70
Resin Oil Wax Medium is a soft painting paste, derived from pure bleached beeswax then mixed with dammar resin and linseed stand oil. This popular medium creates a satin sheen and gentle impasto in paint layers. Settling of the medium may occur so allow the jar to stand in hot water and stir contents until dissolved. This is a light sensitive product – store in a cool dark place away from direct sunlight. Bleached Beeswax, Dammar Resin, Linseed stand oil and double rectified turpentine Recommendation: Add 5-10% to your near oil colours as required Learn More -
Michael Harding Damar Glaze Medium
Starting at: £10.50
Traditional glaze medium which includes a small portion of siccative to aid drying. It is designed to create gloss and depth within your oil paint layers. Made by dissolving dammar crystals into the finest Portuguese maritime turpentine which is then combined with stand oil. Dammar Glaze Medium is known for its speedy drying time of oil colours; use with slower-drying colours. Dammar resin, linseed stand oil, Double rectified turpentine and Cobalt Siccative 2% This is a light-sensitive product so store in a cool dark place Recommendation: Add 10-20% to neat oil colour as required Learn More -
Zest-It Clear Painting Medium
Starting at: £7.20
Improves flow of oil paint and reduce brush strokes. Suitable for wet-on-wet techniques. Especially suitable for blending and glazing without varnish.
*WHILE STOCK LAST*
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Roberson Glaze Medium Matt
Starting at: £9.50
Contains silica driers. May darken if cap is left off bottle. If this happens replace lid, leave overnight and the colour will be restored with no longterm ill effects. Learn More -
Roberson Stand Oil
Starting at: £10.00
Paler, more viscous oil than refined linseed oil. Slows drying. Gives tough elastic finish. Mix with turps or white spirit to help colour flow and reduce brushmarks. Learn More -
Roberson Alkali Refined Linseed Oil
Starting at: £13.10
Alkali refined linseed oil of pale colour increases gloss, reduces consistency and slows drying time. Learn More -
Roberson Cold Pressed Linseed Oil
Starting at: £7.00
High quality, slightly yellow oil made in the USA. Extracted without the use of heat. Increases gloss and transparency and reduces brushmarks. Highly recommended for grinding pigments. Learn More -
Winsor & Newton Liquin Original
Starting at: £9.00
Liquin Original is an alkyd based semi gloss medium which speeds drying, improves flow and reduces brush stroke retention.
- Halves the drying time of conventional oil colour (touch dry in 1-6 days depending on colour & film thickness).
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- Resists yellowing.
- Not suitable as a varnish or final coat. -
Gamblin Galkyd Lite Medium
Starting at: £14.30
Galkyd Lite thins oil colors and increases transparency and gloss. When used in moderation with oil colors, Galkyd Lite will retain brushstrokes. Galkyd Lite is more fluid and less glossy compared to Galkyd. Thin layers will be touch-dry in 24 to 30 hours. Learn More -
Gamblin GALKYD GEL "G GEL" 150ml
£23.10Galkyd Gel is a stiffer gel compared to Neo Megilp that holds thicker, sharper brush-marks and dries more quickly. Galkyd Gel increases transparency of oil colours and creates impasto. Learn More
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