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Golden Gesso
Starting at: £20.40
Excellent acrylic ground for both oil and acrylic paints. Learn More -
Golden Porcelain Restoration Glaze
Starting at: £29.40
Out of stock
Golden Porcelain Restoration Glaze -
This product is currently unavailable for the UK and European markets. We are hoping that it will be reformulated and become available again towards the end of 2021.
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Golden Gloss Medium
Starting at: £21.40
Golden Gloss Medium is a low viscosity gloss acrylic medium for extending liquid acrylic and glazing. Learn More -
Golden Molding Paste - Light, Hard, Standard
Starting at: £21.40
Golden Molding Paste - Light, Hard, Standard Learn More -
Golden Hard Sandable Gesso
Starting at: £23.50
Sands to a smooth surface. Rigid substrates only. Learn More -
Roberson Oil Primer
Starting at: £23.30
Roberson's Traditional Oil Primer is made in small batches using the highest quality materials. Can be used on canvas or wood. Two to three coats will produce a slippery surface to enable oil colour to be moved around. Canvas should be sized before oil primer is applied using Roberson's Prepared Rabin Skin Glue. Touch dry in approx. 6h. hard dry in 24h. Paint may set in tin, shake tin and stir well before use, dilute with white spirit if desired. Prior to painting , primed canvases should be kept in daylight conditions to prevent over yellowing. Clean brushes in White Spirit.
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Gamblin Ground
Starting at: £26.40
Out of stock
Gamblin Oil Painting Ground makes a strong, bright, non-absorbent foundation for oil paintings. Formulated from alkyd resin, titanium dioxide, and barium sulfate, Gamblin Ground makes canvas and linen stiffer than acrylic “gesso” and more flexible than traditional oil primers. Barium sulfate gives Gamblin Ground its tooth. Titanium dioxide gives Gamblin Ground its opacity. Because the percentage of pigments is so much higher than in acrylic “gesso”, painters need only apply TWO coats of Gamblin Ground instead of the recommended four coats of acrylic. More coats can be added for smoother painting surfaces. Because alkyd resin is used instead of linseed oil as the binder, Gamblin Ground is more flexible and dries more quickly than lead/linseed oil grounds. Lead/linseed oil grounds must dry for six months and Gamblin Ground is ready for paint application within a week. Learn More -
Gamblin GALKYD GEL "G GEL" 150ml
£23.10Galkyd Gel is a stiffer gel compared to Neo Megilp that holds thicker, sharper brush-marks and dries more quickly. Galkyd Gel increases transparency of oil colours and creates impasto. Learn More -
Roberson Acrylic Primer
Starting at: £22.00
Robersons manufacture a range of primers based on high quality acrylic resins. Learn More -
Roberson Acrylic Gesso Primer
Starting at: £21.40
Robersons manufacture a range of primers based on high quality acrylic resins. Learn More -
Roberson 1810 Oil Medium
Starting at: £29.70
Traditional high oil "fat" painting medium, made using the highest quality materials. This premium all round medium can be mixed with oil colour in any ratio. Will retain colour strength, is resisiant to bleeding yet has good flow release and is ideal for blending. When dry, has an enamble-like quality. Stand oil/Cold-pressed Linseed oil/Canada Balsam/Rectified Spirit of Turpentine/Beeswax/Driers. Clean tools in white spirit. Do not use as a varnish, always mix with oil colour. Learn More -
Michael Harding Oleo Resin Glaze Medium
Starting at: £23.80
Oleo Resin Medium is a historic glaze medium based on light coloured Canada balsam fused with dammar resin and linseed stand oil. This versatile medium provides high gloss levels while imparting depth to paint films. This is a light sensitive product so store in a cool dark place Canada Balsam, one of the ingredients in this oil painting medium, a turpentine made from the resin of the Balsam fir tree used in oil painting to achieve a glow and encourage fusion. Dammar resin, Canada Balsam, Linseed stand oil and Double rectified turpentine Recommendation: Add 5-10% to neat oil colour as required Learn More -
Michael Harding Balsam Resin Glaze Medium
Starting at: £26.70
Historic paint medium, based on Austrian larch turpentine (also called Venice Turpentine) combined with dammar resin and linseed stand oil. Larch or Venice turpentine adds a wonderful gloss, almost enamel-like, to oil paints. This Balsam resin glaze medium can be added to your oil colours to enhance the depth, gloss and lustre of your paints. It smells wonderful! Dammar Resin, Austrian Larch Turpentine, Linseed Stand oil, Double rectified turpentine Recommendation: Add 5-10% to your neat oil colour as required Learn More