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Lascaux Gesso 2020
Starting at: £30.40
Semi absorbent white ground with tooth for oil, acrylic and tempera painting. Learn More -
Lascaux Primer 2010
Starting at: £33.70
Smooth white primer for oil, acrylic and tempera painting. Learn More -
Roberson Oil Primer
Starting at: £23.30
Roberson's Traditional Oil Primer is made in small batches using the highest quality materials. Can be used on canvas or wood. Two to three coats will produce a slippery surface to enable oil colour to be moved around. Canvas should be sized before oil primer is applied using Roberson's Prepared Rabin Skin Glue. Touch dry in approx. 6h. hard dry in 24h. Paint may set in tin, shake tin and stir well before use, dilute with white spirit if desired. Prior to painting , primed canvases should be kept in daylight conditions to prevent over yellowing. Clean brushes in White Spirit.
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Gamblin Ground
Starting at: £26.40
Out of stock
Gamblin Oil Painting Ground makes a strong, bright, non-absorbent foundation for oil paintings. Formulated from alkyd resin, titanium dioxide, and barium sulfate, Gamblin Ground makes canvas and linen stiffer than acrylic “gesso” and more flexible than traditional oil primers. Barium sulfate gives Gamblin Ground its tooth. Titanium dioxide gives Gamblin Ground its opacity. Because the percentage of pigments is so much higher than in acrylic “gesso”, painters need only apply TWO coats of Gamblin Ground instead of the recommended four coats of acrylic. More coats can be added for smoother painting surfaces. Because alkyd resin is used instead of linseed oil as the binder, Gamblin Ground is more flexible and dries more quickly than lead/linseed oil grounds. Lead/linseed oil grounds must dry for six months and Gamblin Ground is ready for paint application within a week. Learn More -
Roberson 1810 Oil Medium
Starting at: £29.70
Traditional high oil "fat" painting medium, made using the highest quality materials. This premium all round medium can be mixed with oil colour in any ratio. Will retain colour strength, is resisiant to bleeding yet has good flow release and is ideal for blending. When dry, has an enamble-like quality. Stand oil/Cold-pressed Linseed oil/Canada Balsam/Rectified Spirit of Turpentine/Beeswax/Driers. Clean tools in white spirit. Do not use as a varnish, always mix with oil colour. Learn More -
Lascaux Screen Filler 18010
£47.70The Lascaux Screen filler and Lascaux Screen painting fluid may be used for painting directly on the mesh as part of a waterbased screenprinting system. These products work harmoniously with Lascaux Screenprinting paste and the Lascaux Colours. Learn More -
Michael Harding Non-Absorbent Acrylic Primer
Starting at: £21.20
Water-based white acrylic primer specifically designed for oil painting. Although this product is non-absorbing it will provide a strong bond to the layers of paint applied with just enough tooth so as not to be greasy in feel. Learn More -
Michael Harding Oleo Resin Glaze Medium
Starting at: £23.80
Oleo Resin Medium is a historic glaze medium based on light coloured Canada balsam fused with dammar resin and linseed stand oil. This versatile medium provides high gloss levels while imparting depth to paint films. This is a light sensitive product so store in a cool dark place Canada Balsam, one of the ingredients in this oil painting medium, a turpentine made from the resin of the Balsam fir tree used in oil painting to achieve a glow and encourage fusion. Dammar resin, Canada Balsam, Linseed stand oil and Double rectified turpentine Recommendation: Add 5-10% to neat oil colour as required Learn More
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