Search results for: 'Painting'

Golden Waterborne Acrylic Varnish Matt

Starting at: £14.50

Golden's new Waterbourne Varnish replaces the old Golden Polymer Varnish. Waterbourne Varnish provides a protective layer that resists the retention of dirt and dust. It also contains Ultra Violet Light Stabilizers (UVLS) for protection against sunlight. To be used only on interior acrylic paintings and can be thinned and cleaned up with water. For external use Golden MSA varnish is recommended. Learn More

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Golden Waterborne Acrylic Varnish Gloss

Starting at: £14.50

Golden's new Waterbourne Varnish replaces the old Golden Polymer Varnish. Waterbourne Varnish provides a protective layer that resists the retention of dirt and dust. It also contains Ultra Violet Light Stabilizers (UVLS) for protection against sunlight. To be used only on interior acrylic paintings and can be thinned and cleaned up with water. For external use Golden MSA varnish is recommended. Learn More

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Roberson Exhibition Varnish

Starting at: £8.00

Apply to touch dry paintings as a temporary exhibition varnish. After 6 months a final picture varnish can be applied with no need to remove Ketone resin/white spirit. Unable to send overseas. Learn More

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Michael Harding Quick Dry Dammar Glaze Miracle Medium

Starting at: £12.60

A traditional vegan and plant-based glaze medium that helps to add depth and gloss to transparent colours. A solvent-free alternative to Dammar Glaze Medium. – Contains drier. – Incorporate into oil paint mixtures to accelerate drying times and create glazes with a glossy finish. – Ideal for achieving quick-drying layers and transparent glazes in oil paintings. Learn More

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Michael Harding Beeswax Paste Miracle Medium

Starting at: £14.40

High oil content paste based on linseed stand oil and pure bleached beeswax and Miracle Medium™. This paste increases the body of oil colour with satin-matt finish which is especially useful with opaque colours. – Utilize as a medium to impart texture and impasto effects in oil paintings. – Blend with oil paints to create textural layers and build up surface relief for added depth and visual interest. Learn More

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Cranfield Beeswax Medium

Starting at: £20.40

A pereparation of pure beeswax in white spirit, this is used to achieve a soft sheen on your finished painting. It will retard drying, allowing you to achieve a range of effects. Learn More

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Old Holland Oil Mediums

Starting at: £9.50

Old Holland Oil Mediums Learn More

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Lascaux Gesso 2020

Starting at: £30.40

Semi absorbent white ground with tooth for oil, acrylic and tempera painting. Learn More

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Lascaux Primer 2010

Starting at: £33.70

Smooth white primer for oil, acrylic and tempera painting. Learn More

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Cranfield Spectrum Alkyd Primer

Starting at: £16.10

A quick drying multi-purpose thixotropic oil primer for use on all types of oil painting supports. Learn More

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Roberson Oil Primer

Starting at: £23.30

Roberson's Traditional Oil Primer is made in small batches using the highest quality materials. Can be used on canvas or wood. Two to three coats will produce a slippery surface to enable oil colour to be moved around. Canvas should be sized before oil primer is applied using Roberson's Prepared Rabin Skin Glue. Touch dry in approx. 6h. hard dry in 24h. Paint may set in tin, shake tin and stir well before use, dilute with white spirit if desired. Prior to painting , primed canvases should be kept in daylight conditions to prevent over yellowing. Clean brushes in White Spirit.

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Gamblin Gamsol Mineral Sprit

Starting at: £12.10

Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise. Learn More

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Gamblin Ground

Starting at: £29.70

Gamblin Oil Painting Ground makes a strong, bright, non-absorbent foundation for oil paintings. Formulated from alkyd resin, titanium dioxide, and barium sulfate, Gamblin Ground makes canvas and linen stiffer than acrylic “gesso” and more flexible than traditional oil primers. Barium sulfate gives Gamblin Ground its tooth. Titanium dioxide gives Gamblin Ground its opacity. Because the percentage of pigments is so much higher than in acrylic “gesso”, painters need only apply TWO coats of Gamblin Ground instead of the recommended four coats of acrylic. More coats can be added for smoother painting surfaces. Because alkyd resin is used instead of linseed oil as the binder, Gamblin Ground is more flexible and dries more quickly than lead/linseed oil grounds. Lead/linseed oil grounds must dry for six months and Gamblin Ground is ready for paint application within a week. Learn More

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Gamblin Solvent-Free Gel

Starting at: £8.80

Gamblin Solvent-Free Gel is the only solvent-free painting medium that supports a broad range of painting techniques with minimal compromise. Solvent-Free Gel gives colours more flow and transparency, yet holds the shape of your brushmark. Solvent-Free Gel has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Gel is non-toxic and contains no Gamsol or petroleum distillates. Learn More

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Gamblin Solvent-Free Fluid Medium

Starting at: £16.50

Gamblin Solvent-Free Fluid painting medium gives oil colors more flow and transparency. It has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Fluid is non-toxic and contains no Gamsol or petroleum distillates. To ensure proper drying and prevent beading-up of paint layers, Solvent-Free Fluid should be used in moderation with oil colors – no more than 25% by volume. To avoid wrinkling, apply mixtures of Solvent-Free Fluid and oil colors thinly. For underpainting, we recommend adding Gamsol to Solvent-Free Fluid. Learn More

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Search results for 'Painting'