Search results for 'PAINTING MEDIUM'
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Cranfield Beeswax Medium
Starting at: £19.40
A pereparation of pure beeswax in white spirit, this is used to achieve a soft sheen on your finished painting. It will retard drying, allowing you to achieve a range of effects. Learn More -
Fredrix Archival Acrylic Primed Linen Boards
Starting at: £12.70
Fredrix Archival Acrylic Primed Linen Canvas Board is a professional grade, archival painting surface with medium texture canvas mounted on an acid free board. Acrylic primed 100% Belgian linen Rigid, non-warping hardboard core For oil and acrylic paints Acid free base board for long life Learn More -
Fredrix Archival Oil Primed Linen Boards
Starting at: £19.80
Fredrix Archival Acrylic Primed Linen Canvas Board is a professional grade, archival painting surface with medium texture canvas mounted on an acid free board. Oil priming by hand 100% Belgian linen Rigid, non-warping hardboard core For oil paint only Acid free base board for long life Learn More -
Lascaux Studio Acrylic 500ml
Starting at: £39.30
Lascaux Studio Original is an artists’ quality acrylic paint. This exceptional quality acrylic is highly versatile and suitable for all painting techniques. The paint is highly pigmented, lightfast, non-ageing and non-yellowing with very good coating flexibility and water-resistant when dry. The colour range is optimised to give the same working qualities for each colour. So all colours have the same viscosity, opacity and dry to the same semi-gloss sheen. This uniform covering power is ideal for effortless creation of monochrome surfaces. There is also minimal colour shift from wet to dry. Learn More -
Lascaux Studio Acrylic 250ml
Starting at: £25.70
Lascaux Studio Original is an artists’ quality acrylic paint. This exceptional quality acrylic is highly versatile and suitable for all painting techniques. The paint is highly pigmented, lightfast, non-ageing and non-yellowing with very good coating flexibility and water-resistant when dry. The colour range is optimised to give the same working qualities for each colour. So all colours have the same viscosity, opacity and dry to the same semi-gloss sheen. This uniform covering power is ideal for effortless creation of monochrome surfaces. There is also minimal colour shift from wet to dry.
MULTI-BUY DISCOUNT
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Buy any five tubs of 250ml Lascaux Studio Acrylic and get 10% discount. -
10oz Cotton Duck
Starting at: £7.00
10 oz cotton duck is a fine, medium-weight cotton, made with braided yarns, useful for most painting applications. The 10 oz Ultrasmooth canvas has a fine extra smooth surface ideal for detailed work. 340 gsm. Learn More -
Fine Artists Linen
Starting at: £39.00
A canvas only available from Russell & Chapple. This medium-fine textured Belgian linen is our most popular painting linen and is often used by restorers for re-lining. Learn More -
Michael Harding Beeswax Paste Miracle Medium
Starting at: £14.40
High oil content paste based on linseed stand oil and pure bleached beeswax and Miracle Medium™. This paste increases the body of oil colour with satin-matt finish which is especially useful with opaque colours. – Utilize as a medium to impart texture and impasto effects in oil paintings. – Blend with oil paints to create textural layers and build up surface relief for added depth and visual interest. Learn More -
Michael Harding Quick Dry Dammar Glaze Miracle Medium
Starting at: £12.60
A traditional vegan and plant-based glaze medium that helps to add depth and gloss to transparent colours. A solvent-free alternative to Dammar Glaze Medium. – Contains drier. – Incorporate into oil paint mixtures to accelerate drying times and create glazes with a glossy finish. – Ideal for achieving quick-drying layers and transparent glazes in oil paintings. Learn More -
Roberson CRP Picture Cleaner
Starting at: £17.80
Roberson CRP oil painting cleaning fluid is designed to clean and protect oil paintings. This oil painting restoration product can be used by anyone to remove dirt and freshen oil painting. You don’t have to be a professional art restorer and have years of restoration experience to use it. Learn More -
Michael Harding Non-Absorbent Acrylic Primer
Starting at: £21.20
Water-based white acrylic primer specifically designed for oil painting. Although this product is non-absorbing it will provide a strong bond to the layers of paint applied with just enough tooth so as not to be greasy in feel. Learn More -
Lascaux Screen Filler 18010
£47.70The Lascaux Screen filler and Lascaux Screen painting fluid may be used for painting directly on the mesh as part of a waterbased screenprinting system. These products work harmoniously with Lascaux Screenprinting paste and the Lascaux Colours. Learn More -
Roberson Gum Turpentine
Starting at: £14.00
Less refined than rectified spirit of turpentine, this is a classic artists' quality turpentine. The natural gums found in Gum Turpentine mean that it is often preferred as constituent of painting mediums. Learn More -
Gamblin Gamvar Varnish
Starting at: £17.60
Gamvar Picture Varnish saturates colors in your painting and gives the painting a unified and protective surface.
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Developed in collaboration with the National Gallery of Art, Gamvar goes on water-clear, stays water-clear and can be easily and safely removed with Gamsol.
Using Gamsol as its solvent, Gamvar is virtually odorless and ready to apply.
Brush apply. Do not spray. All Gamvar can be applied when the thickest areas of your painting are thoroughly dry and firm to the touch.
Please visit Gamblin's Video Demos page for additional information. -
Gamblin Ground
Starting at: £26.40
Out of stock
Gamblin Oil Painting Ground makes a strong, bright, non-absorbent foundation for oil paintings. Formulated from alkyd resin, titanium dioxide, and barium sulfate, Gamblin Ground makes canvas and linen stiffer than acrylic “gesso” and more flexible than traditional oil primers. Barium sulfate gives Gamblin Ground its tooth. Titanium dioxide gives Gamblin Ground its opacity. Because the percentage of pigments is so much higher than in acrylic “gesso”, painters need only apply TWO coats of Gamblin Ground instead of the recommended four coats of acrylic. More coats can be added for smoother painting surfaces. Because alkyd resin is used instead of linseed oil as the binder, Gamblin Ground is more flexible and dries more quickly than lead/linseed oil grounds. Lead/linseed oil grounds must dry for six months and Gamblin Ground is ready for paint application within a week. Learn More
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