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Scenic pigments for scenic artists packed in kilo bags. All these pigments can be mixed by hand. Learn More

For use with (Schlag) metal leaf, gold leaf and bronze powders. Use over any non-absorbent painted surface, canvas, panel, wall, glass or metal. If the surface is absorbent as with gesso, seal using Roberson shellac varnish. Size is ready when Sellotape tackiness is reached. Apply the leaf using absorbent cotton. Do not rub or use lateral motion as this will mark the leaf. Learn More

Brodie & Middleton glitter is a safe form of hexagonal pvc plastic glitter designed for theatrical use. The ‘Large’ Glitter (1/8” / 3125 micron) gold and silver is brighter, but less ‘glittery’. Glitter can be used loose or made into a glitter paint with glaze or Glitter Medium. Glitter will adhere well to spray-mount, PVA, Copydex, varnish and glaze. Due to its coarseness, applying glitter as a paint, requires several coats to obtain an even coverage. Best results are obtained by applying over a coloured base. Learn More

Golden's new Waterbourne Varnish replaces the old Golden Polymer Varnish. Waterbourne Varnish provides a protective layer that resists the retention of dirt and dust. It also contains Ultra Violet Light Stabilizers (UVLS) for protection against sunlight. To be used only on interior acrylic paintings and can be thinned and cleaned up with water. For external use Golden MSA varnish is recommended. Learn More

Fredrix Polymural Panorama 1008 Canvasis a multi-purpose canvas made by Fredrix in the US. Much used for fine art painting and murals as well as large format wall decor, display signage and retail applications. This canvas is composed of a 100% polyester fibre that is durable and compatible with solvent and UV curable printers, as well as traditional paint media like oils and acrylics. Available in roll widths from 80” to 126” (2.03cm - 3.20cm). Sold per meter. Learn More

Painting applications and Murals. German manufactured universal primed 100% cotton duck, flame retardant to a very high specification suitable for painting on in oil or acrylic paint, as well as digital print. This material is designed to conform to the IMO standard for maritime flame retardancy. The canvas is quality controlled and does not contain any weaving or coating defects. 310gsm. Length of Full Roll: 25 meters.

Printing application with Solvent Based Inks. The coating is bright white and it can print very well with solvent, Eco-Solvent and UV curable inks. This canvas is widely used for point of sale display and fine art reproduction.

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Linen Triple Fr Oil DP 84in - Quite fine linen, hand primed in France with 3 coats of oil primer for a smooth finish. (Oil paint only) Learn More

Containing: 34 tubes 40 ml (Colours may vary)

• A1 Titanium White,
• A2 Zinc White,
• A6 Old Holland Yellow Light,
• B115 Flesh Tint,
• B10 Scheveningen Yellow Lemon,
• B124 Gamboge Lake Extra,
• C18 Scheveningen Orange,
• C133 Old Holland Red Gold Lake,
• D148 Vermilion Extra,
• B22 Scheveningen Red Light,
• C163 Alizarin Crimson Lake Extra,
• D181 Old Holland Magenta,
• C202 Dioxazine Mauve,
• C220 Old Delft Blue,
• C232 Carribean Blue,
• C241 Manganese Blue Deep,
• B37 French Ultramarine Light Extra,
• C247 Old Holland Cyan Blue,
• E250 Cobalt Blue,
• C49 Scheveningen Green Deep,
• B274 Emerald Green,
• B292 Sapgreen Lake Extra,
• B316 Naples Yellow Deep Extra,
• A53 Yellow Ochre Light,
• A56 Raw Sienna Light,
• B334 Transparent Oxide-Red Lake,
• A61 Burnt Sienna,
• A343 Flesh Ochre,
• A66 Caput Mortuum Violet (Mars),
• A70 Burnt Umber, A69 Raw Umber,
• A361 Old Holland Warm Grey Light,
• A74 Ivory Black Extra,
• 2 Bottles Of Medium, 3 Brushes, 2 Palette Cups, Charcoal and 3 Palette Knives

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Double sided hand painted colourchart of the full Liquid metal range (58 shades) Learn More

Museum Series Claybord™ is made using 1/8" true artist hardboard and features Ampersand’s simply amazing kaolin clay ground formula similar in paintability to the clay gesso grounds used during the Renaissance. The surface is sanded to an ULTRA-smooth, highly absorbent finish so your paint colors remain true and brilliant. Work the surface by thinly applying paint or ink, then remove it, reapply it, even scratch through it to add contrast, texture and fine details. Claybord is a favorite of both fine and graphic artists. Only Ampersand builds their cradles by hand with premium grade 13-ply birch plywood for maximum stability and a clean, finished look from edge to edge. Choose from 3/4", 1.5" and 2" Deep, all made in the USA. WHILE STOCK LASTS

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Flamex PA is a clear, un-pigmented additive for creating a flame retardant paint layer. Add one full jar of Flamex PA to a US gallon (3.79L) of water based paint to make your paint coating flame retardant. Flamex PA is compatible in most latex or vinyl acrylic paints but always test with your specific paint choice. Do not use Flamex PA with metallic paints as the metal pigments may react and tarnish or corrode. Flamex PA does NOT alter the flammability of the substrate being painted but only adds a retardant treatment that slows the spread of fire along the surface. Rosco Flamex PA has been pre-measured and should be added to a single US Gallon (3.78L) of paint. Once combined, the paint/Flamex mixture can be diluted as desired but the dry paint film must be no less than 4 mil in thickness. The effectiveness of a fire retardant barrier is dependent on both the fire retardant additive and the thickness of the coating. Flamex PA is not intended to be used in place of other flame retardant products. Where possible, always treat the substrate material using the appropriate flame retardant. Learn More