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Fredrix Select 901SJ Solvent Canvas Weight: 366gsm Thickness: 444 microns Composition: 35% cotton, 65% polyester Weave Construction: 2:1 Finish: Matt / Natural White Texture: Medium/ Roll widths 30" - 126" (76.2cm - 3.20cm) Applications: High Volume Art Reproductions, Photography, High and POP/Décor Certified for HP Latex Inks Learn More

WHILE STOCK LASTS Fredrix Accent 575WR Weight: 327gsm Thickness: 425 microns Composition: 35% cotton, 65% polyester Weave Construction: 1:1 Finish: Natural White Texture: Medium texture Water Resistant Roll widths 17" - 60" (42cm - 1.52cm) Applications: Reproductions, Giclee, Photography. Learn More

WHILE STOCKS LAST Fredrix 901IJ Concord Weight: 377.65gsm Thickness: 469.90 microns ± 25.40 microns Composition: 35% cotton, 65% polyester Weave Construction: 2:1 Finish: Natural White Texture: Medium texture Roll widths 24" - 60" (60.9cm - 1.52cm) Applications: Fine Art Reproductions, Giclee, Photography. Learn More

Linen Triple Fr Oil DP 84in - Quite fine linen, hand primed in France with 3 coats of oil primer for a smooth finish. (Oil paint only) Learn More

New concept in removal of pencil, marks and soiling on a variety of surfaces. Used in museums for document restoration and cleaning. Minimises damage to artwork. Gentle and effective in use. For cleaning and restoration of paper, documents, artworks, art drawings, and also useful for walls and photographs. Each cushion contains 120g of non-abrasive synthetic rubber powder.

• Cleans utilising a dry cleaning method free of detergent.
• Rubber powder removes stains and marks from paper.
• Cleaning cotton cushion does not need to be washed.
• Safe, long-lasting and non-abrasive.

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Containing: 34 tubes 40 ml (Colours may vary)

• A1 Titanium White,
• A2 Zinc White,
• A6 Old Holland Yellow Light,
• B115 Flesh Tint,
• B10 Scheveningen Yellow Lemon,
• B124 Gamboge Lake Extra,
• C18 Scheveningen Orange,
• C133 Old Holland Red Gold Lake,
• D148 Vermilion Extra,
• B22 Scheveningen Red Light,
• C163 Alizarin Crimson Lake Extra,
• D181 Old Holland Magenta,
• C202 Dioxazine Mauve,
• C220 Old Delft Blue,
• C232 Carribean Blue,
• C241 Manganese Blue Deep,
• B37 French Ultramarine Light Extra,
• C247 Old Holland Cyan Blue,
• E250 Cobalt Blue,
• C49 Scheveningen Green Deep,
• B274 Emerald Green,
• B292 Sapgreen Lake Extra,
• B316 Naples Yellow Deep Extra,
• A53 Yellow Ochre Light,
• A56 Raw Sienna Light,
• B334 Transparent Oxide-Red Lake,
• A61 Burnt Sienna,
• A343 Flesh Ochre,
• A66 Caput Mortuum Violet (Mars),
• A70 Burnt Umber, A69 Raw Umber,
• A361 Old Holland Warm Grey Light,
• A74 Ivory Black Extra,
• 2 Bottles Of Medium, 3 Brushes, 2 Palette Cups, Charcoal and 3 Palette Knives

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Vintage design hard cover pad. Contains 98 sheets Fabriano Accademia drawing paper (200gsm/94 lbs.) Size: 19 x 24cm (7.5 x 9.5in) Learn More

Its one of the great liberating ideas of modern art that everyone is capable of making art. But all too often a mechanical education stifles the creative impulse anxiety and represses the imagination. ART RULES! offers a completely new key to enjoying and understanding art by showing how it is made. What is modern art and how does it work? ART RULES! gives you answers. It is an education and an inspiration. There is nothing like it.

With works by Sir Peter Blake, Susan Hiller, Eduardo Paolozzi, Robert Rauschenberg, Ed Ruscha, Cornelia Parker, Kurt Schwitters and many others.

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Museum Series Claybord™ is made using 1/8" true artist hardboard and features Ampersand’s simply amazing kaolin clay ground formula similar in paintability to the clay gesso grounds used during the Renaissance. The surface is sanded to an ULTRA-smooth, highly absorbent finish so your paint colors remain true and brilliant. Work the surface by thinly applying paint or ink, then remove it, reapply it, even scratch through it to add contrast, texture and fine details. Claybord is a favorite of both fine and graphic artists. Only Ampersand builds their cradles by hand with premium grade 13-ply birch plywood for maximum stability and a clean, finished look from edge to edge. Choose from 3/4", 1.5" and 2" Deep, all made in the USA. WHILE STOCK LASTS

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Dylon Pre Dye

Dylon Pre-Dye removes colour from fabric so that it is suitable for dyeing to a lighter colour. Will treat all natural fabrics and nylon.

NOT suitable for wool or silk, polyester, acetate, acrylics or fabrics with special finishes.

Formulated for use in automatic front loading washing machines.

IMPORTANT – One box will treat up to 2.5kg of fabric – this is much more than a box of Machine Dye. If buying Machine Dyes as well, you only need one box of Pre-Dye for every 4 or 5 boxes of Machine Dye.

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This traditional ‘gum strip’ tape is ideal for stretching paper prior to painting and for backing picture frames. It is fully repositionable when wet and very able to withstand full saturation. Learn More

Flamex PA is a clear, un-pigmented additive for creating a flame retardant paint layer. Add one full jar of Flamex PA to a US gallon (3.79L) of water based paint to make your paint coating flame retardant. Flamex PA is compatible in most latex or vinyl acrylic paints but always test with your specific paint choice. Do not use Flamex PA with metallic paints as the metal pigments may react and tarnish or corrode. Flamex PA does NOT alter the flammability of the substrate being painted but only adds a retardant treatment that slows the spread of fire along the surface. Rosco Flamex PA has been pre-measured and should be added to a single US Gallon (3.78L) of paint. Once combined, the paint/Flamex mixture can be diluted as desired but the dry paint film must be no less than 4 mil in thickness. The effectiveness of a fire retardant barrier is dependent on both the fire retardant additive and the thickness of the coating. Flamex PA is not intended to be used in place of other flame retardant products. Where possible, always treat the substrate material using the appropriate flame retardant. Learn More